the ghosts of those
Maria McLeod
Our legs dangle over the edge of this Detroit
rooftop. The eight-story Uniroyal tire,
a clearly visible sentry, presides over East I-94.
Below us foreign cars, once hated entities, stop and start
at the intersection of a Domino’s Pizza
and a 24-hour party store, still selling
Stroh’s Dark and Zig-Zags as if it were perpetually 1974.
We are would-be lovers. Like would-be assassins,
or would-be rock stars, we’ve become good
at dressing the part, but display no skill
in creating convincing characters.
We hold hands and whisper, I can’t
resist you, even though we can and do resist.
Instead we drink straight from our shared bottle, blow kisses
at traffic lights, and toast our steadfast spouses
who know us too well to suspect the worst.
The truth is evident, if only to us: the giant tire
was once a Ferris wheel until it was encased
in rubber, forever entombing the swinging seats.
It holds the ghosts of those who left the fairgrounds
for the treetops, sweetly kissing the curve of the horizon,
their world below rendered miniature.
Even now, we take joy in remembering
the expectant, upturned faces of those in line,
standing where we once stood, blissfully unaware
of how small their lives were about to become.
Maria McLeod writes poetry, fiction, monologues, and plays—three of which have been performed on stage. Honors include three Pushcart Prize nominations and the Indiana Review Poetry Prize. She’s been published nationally and internationally in literary journals such as The Interpreter’s House, Puerto Del Sol, Painted Bride Quarterly, Pearl, Crab Orchard Review, The Brooklyn Rail, Critical Quarterly and others. Originally from the Detroit area, she resides in Bellingham, Washington, where she is an associate professor of journalism at Western Washington University.