The Getaway: Palm Springs
Chloe Martinez
Sound puzzle, you cluck irritatingly on the living room floor
when left to your own devices, or stay silent when prompted,
or else you moo. Guilt gift from a trip on which I hardly had time
to touch a cactus. Mother-love, mother leaving, “girls’ getaway”
weekend experiment. Poolside time fraught with
phone calls. My friends, the two Jennies, in their bright
sundresses, well, we did have a drink in one of those
Sinatra bars, something about the moon, full of rather joyful
possibly alcoholic retirees. By the morning I’m pacing around
the mid-century modern antique shop, the sun rising over the
fiberglass dinosaur off Route Ten as the Jennies consider
fiestaware and my clock runs out. You have learned new
grammatical constructions just to demand my immediate
return, all night. My breasts ache anyway, still trained to
produce for you, and still, there is nothing better than your anger
silenced by your hunger. Suck, suck, you eye me through your
long lashes. How much longer? Child, just wait until you
taste a little freedom. You’ll want always more, and more.
Chloe Martinez's poems have appeared or are forthcoming in publications including Waxwing, Prairie Schooner, The Collagist, [PANK] and The Common. She is a two-time Pushcart Prize nominee, a semifinalist for the 2018 Perugia Prize, a book reviewer for RHINO and a reader for The Adroit Journal. She is the Program Coordinator for the Center for Writing and Public Discourse at Claremont McKenna College, as well as Lecturer in Religious Studies. See more at www.chloeAVmartinez.com.